"SpongeBob SquarePants" Mimic Madness/House Worming (TV

People persuade him to stop, but he gets a thing called "mocking mimicry madness" and ends up forgetting who he truly is. SpongeBob's friends, including Plankton, attempt to help, but they make it worse as SpongeBob happens to mimic all of them at once."SpongeBob SquarePants" Mimic Madness/House Worming (TV Episode 2017) cast and crew credits, including actors, actresses, directors, writers and more.mimic madness was great I loved the song and it was a better version of face freeze The episode was really funny 10/10 House worming This Episode wasn't that good I'll give it a 6/10 Well house worming was okay And mimic madness was a some in mimic madness he was making faces to make everyone happyAn Archive of Our Own, a project of the Organization for Transformative WorksList of images in directory: 207a - Mimic Madness (001).jpg; 207a - Mimic Madness (002).jpg; 207a - Mimic Madness (003).jpg; 207a - Mimic Madness (004).jpg

"SpongeBob SquarePants" Mimic Madness/House Worming (TV

Mimic madness in the pantry. July 19, 2020 by Andrew Girdwood Leave a Comment Links may earn ad money. Travis Mullins is an artist based in Warsaw, Indiana who specialises in painting, wood carving, sculpture and performance art. Mullins has created zombie gnomes, turned teddys into monsters and pencil holders into horrors. More recently, the"Mimic Madness" Written by Mr. Lawrence Storyboarded by Brian Morante Storyboard Supervisior Adam Paloian Animation Director Bob Jacques Produced by Jennie Monica Supervising Producers Marc CeccarelliVincent Waller Executive Producers Stephen Hillenburg "House Worming" Written by Richard Pursel Storyboarded by Fred Osmond Supervising Director Sherm Cohen Animation Director Alan Smart ProducedSupport me on patreon: https://www.patreon.com/user?u=53137See my website: https://www.mysteriousmisterenter.com/Oh my god, they did it.SpongeBob's Mocking Mimicry Madness has gone too far.

"SpongeBob SquarePants" Mimic Madness/House Worming (TV

An Archive of Our Own, a project of the Organization for Transformative WorksA walk through the storyboard of Mimic Madness. If you're prone to motion sickness, you may have trouble viewing.Greg Brignola is raising funds for Mimic Madness - an RPG Zine With Lots of Teeth on Kickstarter! You are a Mimic. These are your stories.Metacritic TV Episode Reviews, Mimic Madness; House Worming, There is a 75 character minimum for reviews. If your review contains spoilers, please check the Spoiler box.Search, discover and share your favorite Mimic Madness GIFs. The best GIFs are on GIPHY. mimic madness 398 GIFs. Sort: Relevant Newest # spongebob squarepants # episode 3 # season 10 # mimic madness # spongebob squarepants # episode 3 # season 10 # mimic madness

Episode Information

Episode · Transcript · Gallery · Credits Production code:

1007

Season №:

10

Episode №:

207a

Airdate: February 25, 2017 May 7, 2017 June 14, 2017 October 3, 2017See more... March 13, 2017 March 15, 2017 March 16, 2017 March 26, 2017[1] March 31, 2017 April 4, 2017 April 5, 2017 April 7, 2017 April 15, 2017 April 30, 2017 May 5, 2017 May 12, 2017 May 15, 2017 July 6, 2017 July 7, 2017 March 23, 2018 April 21, 2018 July 3, 2018 October 7, 2018 December 24, 2018 March 5, 2019 (PLUS PLUS) July 24, 2019 (TET) U.S. premiere time (EST):

10:00 am

Copyright yr: U.S. audience (tens of millions):

2.12

Running time:

Eleven minutes

Sister episode(s): Writer(s): Storyboard Artist(s): Supervising Producer(s): Supervising: Animation: List of episodes "Mimic Madness" is a SpongeBob SquarePants episode from Season 10. In this episode, SpongeBob learns that "imitation is the sincerest form of flattery" — too dangerous no one told him methods to forestall. Characters

Synopsis

In the beginning of the episode, Mr. Krabs makes some new rules and goes to his workplace, while Squidward imitates him in the back of his back, but Mr. Krabs hears him and confronts him about this. However, Squidward lies that he was imitating him out of flattery and he is let off the hook. SpongeBob believes this lie and makes a decision to mimic/imitate other people as a result of he heard that "imitation plus flattery equals happy people." He first imitates a father yelling at his children. The father and the kids become inspired with SpongeBob's mimicry. SpongeBob then imitates Squidward, who also likes his imitation. He then imitates Patrick, who thinks he's looking at his actual self.

SpongeBob's imitations pass too far.

SpongeBob then imitates Sandy and Plankton, whilst they're enjoying a game of chess. Sandy admires the imitation, but Plankton says that he got his voice unsuitable. He additionally imitates the French Narrator by means of studying the "80,000 Impressions Later..." time card in his voice as the narrator complains about it.

After some time, SpongeBob's imitation of everybody begins to get anxious, as everyone tries to persuade him to forestall, however he gets a thing called "mocking mimicry madness" and ends up forgetting who he in reality is. SpongeBob's pals attempt to help, but they only make matters worse, as SpongeBob happens to mimic they all directly, much to their disgust and horror. Sandy tries to get SpongeBob to come back again to his senses, although her makes an attempt reason him to have a breakdown of a number of imitations and he leaves the city calling himself a freak.

Everyone imitates SpongeBob.

SpongeBob goes to live in a collapse regrets of no longer remembering himself. His friends find him and finally end up mimicking him in an effort to deliver again SpongeBob. It finally ends up running, however the others get the mocking mimicry madness as smartly and end up acting like SpongeBob. At first, SpongeBob is stunned, however gets adjusted to it as all of them snigger crazily like him.

The episode ends with a focal point of a guffawing Squidward's eyes, as his distraught real self is demanding to be let loose of his unconscious.

Production

The episode identify was showed in a tweet by Vincent Waller on August 11, 2016.[2]

Art Storyboard Mimic Madness Storyboards for the episode Rough Board Mimic Madness Rough version of the storyboard Differences between the variations of the episode Differences between the tough storyboard and the finished storyboard

1. In the outlet shot within the completed storyboard:

There is a foreground. The Krusty Krab, its signal, other structures, road, kelp, and flower clouds glance nearer to the finished episode. The foreground replaces a circle within the area that is around the boulevard from The Krusty Krab. The "Open" arrow sign, the flags and Krabby Patty sign on The Krusty Krab, boatmobiles, and a few kelp and coral were added. The place of the flower clouds were moved, particularly, the only closest to the left of the screen. The bubble motion is proven.

2. In the tough storyboard, as a substitute of going instantly to Mr. Krabs talking to SpongeBob and Squidward, there's a scene where SpongeBob runs into The Krusty Krab. He then breathes heavily. He then fortunately walks towards the kitchen. He is then adopted by Squidward, who's slouching and turns out to dislike that he has to go back to paintings. It then presentations Mr. Krabs talking to SpongeBob and Squidward, however it begins after the hole shot.

3. In the scene with Mr. Krabs speaking to SpongeBob and Squidward:

The perspective of the primary shot is quite different. The characters are extra whole looking in the finished storyboard. The pans in the kitchen appear within the completed storyboard. In the rough storyboard, Mr. Krabs is dressed in the army hat on his head. In the finished storyboard, he is dressed in it on his head. The top of the cash check in appears in the finished storyboard. Squidward's hat is extra slouched over in the tough storyboard than it's in the finished storyboard. There is a desk within the rough storyboard that's not within the completed storyboard. In the tough storyboard, Mr. Krabs hits the stick in entrance of him and appears at SpongeBob and Squidward. In the finished storyboard, Mr. Krabs hits the stick subsequent to him and looks in front of him. In the tough storyboard, when Mr. Krab walks again towards the right facet of the Krusty Krab, he's protecting the stick in his left hand. In the finished storyboard, he's maintaining it in his proper hand. In the tough storyboard, when Mr. Krabs turns in opposition to the left facet of the Krusty Krab after going back in opposition to the fitting side of the Krusty Krab, his "thumb" is within the flawed position. This is fastened within the finished storyboard. In the rough storyboard, when Mr. Krabs hits the stick on his hand, it's directly across. In the completed storyboard, it is at an attitude, closer to ahead of him. When the shot is a close-up of Mr. Krabs, in the rough storyboard, he is maintaining the stick up next to him. In the finished storyboard, his arm is down, so the stick isn't proven.

4. When SpongeBob has the "#1" claw on:

The shot is nearer to him in the rough storyboard than it's within the finished storyboard. The finished storyboard has SpongeBob doing somewhat dance sooner than and after he rips his blouse off. The tough storyboard does not have this.

5. When Mr. Krabs takes off Squidward's mask:

In the tough storyboard, because the tough storyboard has the shot nearer to SpongeBob, it pans over to Squidward. In the tough storyboard, the Squidward mask falls down. In the finished storyboard, it is pushed off his face and falls several ft away from Squidward. Squidward isn't dressed in his Krusty Krab hat within the tough storyboard. He is in the ultimate storyboard.

6. In the shot where Mr. Krabs tells SpongeBob and Squidward that he will be in his place of job:

The attitude is different between the 2 variations. In the rough storyboard, the military equipment is gone. In the finished storyboard, Mr. Krabs remains to be wearing/maintaining it.

7. When Mr. Krabs goes to his place of job:

In the rough storyboard, there's a window at the proper wall of the Krusty Krab. In the finished storyboard, since it's supposed to be a window, there is a development in the background. The stuff in the office of Mr. Krabs is there within the completed storyboard. In the tough storyboard, they are lacking.

8. When Squidward imitates Mr. Krabs in the rough storyboard, SpongeBob's reaction is longer than it's in the finished storyboard.

9. When Mr. Krabs pops out of the money register:

The shot is diversified between the 2 variations. In the finished storyboard, money pops out of the sign in. In tough storyboard, it does no longer.

10. When SpongeBob goes up his hat, it inflates a little in the finished storyboard. It does no longer achieve this in the rough storyboard.

11. When Squidward tries to get a hold of an excuse:

In the tough storyboard, when Mr. Krabs' back is shown, his mouth appears, Squidward's hat is leaning forward, and Squidward is not sweating (the first time). In the finished storyboard, Mr. Krabs' might does now not appear, Squidward's hat is leaning back, and Squidward is sweating. In the tough storyboard, Squidward's excuse scene is shorter than it's the ultimate storyboard. In the general storyboard, when Mr. Krabs' front is shown, Squidward's hat is leaning again. In the rough storyboard, it is not leaning in any respect. In the rough storyboard, when SpongeBob peeks out of his hat, his nose is pointed down. In the general storyboard, it is pointed forward.

12. When Mr. Krabs accepts Squidward's excuse, Squidward's hat is immediately in the rough storyboard. It's leaning again within the ultimate storyboard.

13. Right ahead of Mr. Krabs goes back into the money sign in, in the tough storyboard, Mr. Krabs brings Squidward just about him. In the final storyboard, he issues up in the air.

14. When Mr. Krabs goes back into the money register:

In the overall storyboard, he holds his nose like he's diving. In the rough storyboard, he does no longer do this. The scene is in a special shot between the two versions like the opening of that part of the scene was. The cash sign in jumps upper in the ultimate storyboard than it does within the rough storyboard.

15. When SpongeBob leaves the hat:

He is extra triangular within the ultimate storyboard than he's in the rough storyboard. In the final version, he holds his hat above him as he leaves it. In the rough storyboard, he just comes out of the hat and it is on his head.

16. When Squidward says that this can be a close one, he appears down at SpongeBob in the rough storyboard. In the final storyboard, Squidward looks out in entrance of him.

17. When SpongeBob repeats what Squidward stated, in the tough storyboard, he simply seems to be at Squidward. In the general storyboard, he holds his hand.

18. When the tremendous close-up of SpongeBob's face seems, in the rough storyboard, his pupils and irises are larger, his holes are in a special place than in the final storyboard, and he has fewer holes than in the final storyboard. He could also be lacking his freckles, which the general storyboard options.

19. Right after the super close-up of SpongeBob's face, he is leaning up towards Squidward. In the final storyboard, he's smiling. In the rough storyboard, he is not.

20. When SpongeBob leaves the register boat, in the tough storyboard, he walks away. In the overall storyboard, he runs away.

21. When SpongeBob goes to the window:

The shot is assorted wider within the rough storyboard than it's in the final storyboard. Because of the last level, there's a building within the tough storyboard that does not appear within the final storyboard. SpongeBob's hat pops off within the final storyboard. It does no longer do this within the rough storyboard.

22. When SpongeBob appears to be like out the window a number of fish walks by.

In the rough storyboard, it's the first fish is a generic fish that resembles Nat Peterson. In the overall storyboard, it is Sandals. In the tough storyboard, the second and third fish that stroll via is a generic feminine fish that resembles Incidental Forty eight and a generic kid fish. In the final storyboard, they are Incidental 49 and Incidental 158.

23. When SpongeBob is shown within the close up of him looking out of the window:

At the tip of the shot, within the tough storyboard, he seems to be to the higher left nook of the display. In the general storyboard, he does now not do this. In the general storyboard, there's a bubble transition between this scene and the next. In the rough storyboard, it just cuts to the following scene.

24. During the scene with the three child fish and the adult fish at the desk:

In the rough storyboard, they are simply four generic fish. In the general storyboard, they're a kid model of Abigail Marge, Harv, and Paco and a fish that resembles Tom. In the rough storyboard, SpongeBob drops off simplest 3 visible Krabby Patties, which might be subsequent to one another at the plate. In the final storyboard, there are four visual Krabby Patties, 3 of which can be subsequent to one another and one on most sensible of the pile. When the soda is thrown, within the tough storyboard, only the soda itself seems being thrown. In the general storyboard, the soda with the cup and a few thought appear being thrown. In the tough storyboard, it cuts to SpongeBob sooner than the grownup fish is proven smiling. In the final storyboard, the fish smiles after which it cuts to SpongeBob.

25. In the rough storyboard, SpongeBob's first morph is finished in a different way than in the final storyboard. The finish of the morph may be a lot shorter.

26. After SpongeBob morphs for the primary time, he smiles. In the rough storyboard, his mouth is open. In the general storyboard, his tooth are shown.

27. In the general storyboard, when the kid fish chuckle at SpongeBob, Harv is conserving the soda. In the tough storyboard, Harv's counterpart isn't keeping the soda.

28. The close-up shot of Tom laughing is longer than the shot of his tough storyboard counterpart laughing.

29. When SpongeBob leaves the desk of 4, in the rough storyboard, SpongeBob's mouth is open. In the overall storyboard, it is not.

30. After SpongeBob leaves, Tom's angrily telling the children to devour seems to be more extreme than his tough storyboard counterpart.

31. Because there have been simplest 3 patties delivered to the table, when the kids select up the patties to consume them, in the tough storyboard, there are no patties left. In the final storyboard, there is one left as 4 were delivered.

32. When the road of shoppers is proven on the cash sign up:

The shot is wider within the tough storyboard than within the ultimate storyboard. In the rough storyboard, there are four generic fish. In the overall storyboard, they're Charlie, Horace, Nancy, and Incidental 106.

33. In the rough storyboard, a feminine fish is having a hard time deciding what she needs on the menu. SpongeBob then mimics her. He turns back into his customary self. She laughs at this imitation. She then pinches his cheeks. It then cuts to Squidward telling SpongeBob to make the orders. In the general storyboard, this scene was once cut.

34. When Squidward yells at SpongeBob to make the orders, in the final storyboard, Squidward is maintaining the side of the cashier boat. In the rough storyboard, he isn't doing this.

35. When SpongeBob imitates Squidward:

In the tough storyboard, SpongeBob appears extra like a piece of toast. In the overall storyboard, he seems to be extra like Squidward. SpongeBob's imitation is shorter in the tough storyboard than it's in the ultimate storyboard. He also does not glance back at the crowd. This and the truth that within the tough storyboard, Squidward does now not look pleased and there's no laughter like it is in the final storyboard, means that at that level, he was just going to mimic Squidward, now not make a shaggy dog story.

36. In the opening shot of the kitchen, within the rough storyboard, the reducing station and the chimney are proven. In the general model, they aren't there and the fryer is there.

37. When SpongeBob morphs into the human face/head, this is a diverse face in the rough storyboard than in the ultimate storyboard. It is also simply the face that morphs within the rough storyboard, instead of the whole head like within the final storyboard.

38. In the tough storyboard, after the human face scene, Patrick is shown sleeping on his rock. It then zooms into him. It then shows him dreaming of a fence on a field. An ice cream cone with arms and legs jumps over the fence and out of the dream. It then leaps into his mouth. This repeats two extra occasions. SpongeBob walks as much as the rock. SpongeBob wakes Patrick up, which messes with the next ice cream cone's leap. It lands on Patrick's eyes. The dream cloud then disappears and Patrick falls down the facet of his rock. SpongeBob then imitates Patrick. Patrick then thinks SpongeBob is himself. SpongeBob then finds that he's SpongeBob, not Patrick. SpongeBob then begins laughing. Patrick joins him. Patrick nonetheless thinks SpongeBob is himself. In the final storyboard, the scene remains almost the same, except for the beginning and the environment of the scene. At the start of the scene, Patrick is digging through the Krusty Krab trash. He unearths one patty and tosses it on the front window of the Krusty Krab. He then unearths a soda cup and starts to consume it. SpongeBob then leaves the Krusty Krab as Patrick is taking a look the other way. He then imitates Patrick. SpongeBob tells Patrick that he's Patrick. Patrick seems to be up from the trash. The scene then proceeds as it does within the tough storyboard.

39. When Plankton and Sandy are taking part in chess:

In the rough storyboard, Sandy makes a move sooner than Plankton does. In the general storyboard, that is taken out. In the rough storyboard, when Plankton is finished transferring the rook, there are two pawns at the back of him and a king near the rook. In the final storyboard, there's a pawn and a rook behind Plankton and a king and pawn near the rook that Plankton just moved. When the rook squishes Plankton, within the tough storyboard, Sandy peels it off of him. She additionally unsticks it within the ultimate storyboard, however after Plankton lifts his arm. When Sandy tries to unstick the rook, Plankton is squashed and stretched another way between the two variations. When the close-up of Plankton is proven, within the tough storyboard, he has a face of fear. In the final storyboard, he has a face of defeat.

40. When SpongeBob morphs into Sandy, in the tough storyboard, he does not have the flower on the helmet. In the general storyboard, he does.

41. When Plankton tries to rise up, within the tough storyboard, he's shown already up and then being pushed back by means of SpongeBob, who is going from the left of the display screen. In the general storyboard, Plankton tries to get up and then is pushed by way of SpongeBob, who is going from the fitting of the display.

42. When SpongeBob is morphed as Sandy, in the tough storyboard, he dances behind the table. In the overall storyboard, he dances close to the table.

43. When SpongeBob is morphed as Sandy and Plankton, when the Plankton head laughs, within the rough storyboard, SpongeBob's left hand is pointed upwards. In the overall storyboard, it's pointed down.

44. When Plankton is shown on the chess board when he is examining SpongeBob's performance of him, within the tough storyboard, SpongeBob is shown in the shot. In the overall storyboard, he isn't.

45. After Plankton's exam, in the tough storyboard, Karen appears, giggling at SpongeBob's affect. Her head then falls off. She puts it back on and continues laughing. She then falls over. SpongeBob then morphs again into his standard self. In the final storyboard, Karen's section was reduce.

46. When SpongeBob impersonates the French Narrator, within the rough storyboard, SpongeBob has a beard and a small hat. In the general storyboard, SpongeBob does not have a beard and the hat is greater and pink.

47. After the time card, the tough storyboard cuts to the buyer at the Krusty Krab. In the overall storyboard, it cuts to the exterior of the Krusty Krab after which to the customer.

48. The scene with the client after the time card looks virtually utterly assorted between the two variations. In the rough storyboard, the buyer, who is only a generic fish, is seated close to the window and is situated on the left of the screen. In the general storyboard, the customer, who is Nathiel Waters, is seated close to the restrooms and is situated at the right of the display screen.

49. Because of the remaining level, within the tough storyboard, SpongeBob moves from the suitable of the display to the left. In the overall storyboard, it is the opposite. Also, SpongeBob seems like the generic fish in the tough storyboard. In the overall storyboard, he looks like Nathiel.

50. In the scene with the customer after the time card, in the rough storyboard, there is a phase the place the scene the shot zooms into the customer's face. In the final storyboard, that is lower.

51. When the client/Nathiel throws the desk, within the tough storyboard, he throws it to the best of the display. In the final storyboard, he throws it to the left.

52. After the client/Nathiel throws the table, within the rough storyboard, since the buyer is confronted against the fitting of the display screen, he turns round to go away. In the general storyboard, because Nathiel is already faced in opposition to the left of the display screen, he simply runs that method.

53. When the buyer/Nathiel leaves the Krusty Krab, in the tough storyboard, SpongeBob is already in the shot. In the final storyboard, he enters the shot after Nathiel leaves.

54. When Squidward is shown after SpongeBob imitates Squidward the second time, the angle of the scene is various between the two variations.

55. When SpongeBob enters the kitchen after imitating Squidward for the second time, within the tough storyboard, his eyes are open. In the general storyboard, his eyes are closed.

56. When Squidward gets offended at SpongeBob for imitating him:

The ultimate storyboard has the freak-out be longer than within the tough storyboard. When Squidward throws his hat, within the tough storyboard, Sandy is proven when he begins to throw his hat. In the general storyboard, she appears proper earlier than he throws his hat. In the rough storyboard, Squidward throws his hat to his left. In the general storyboard, he throws the hat in entrance of him. The rough storyboard turns out to imply that when Squidward threw his hat, he additionally was lifting his leg to leave the cashier boat. The final storyboard has Squidward leave throughout the door in the boat. The rough storyboard displays Squidward leaving The Krusty Krab. The ultimate storyboard cuts this.

57. When Mr. Krabs leaves the sign up after Squidward leaves:

In the tough storyboard, Mr. Krabs leaving the check in is a marvel to Sandy. In the overall storyboard, the register opens, she investigates, and then Mr. Krabs pops out. In the rough storyboard, Mr. Krabs doesn't if truth be told depart the money sign up. In the final storyboard, he does. In the tough storyboard, Mr. Krabs is going proper into his speech about Mimicry Madness. In the overall storyboard, he leans in to accept as true with Sandy about the fact that SpongeBob has gone too some distance. In the rough storyboard, Mr. Krabs has the small pincer next to the massive pincer. In the final storyboard, he has it separated. Because of the remaining point, SpongeBob's mimicry of Mr. Krabs follows the same thing. SpongeBob's impact of Mr. Krabs lasts longer within the final storyboard than it does within the tough storyboard. In the tough storyboard, Mr. Krabs hides back into the check in. In the general storyboard, he jumps out of the sign up and dives again into the check in. This sends SpongeBob flying backward. Sandy then tests on him. SpongeBob then will get up.

58. When Sandy, Squidward, Patrick, Mr. Krabs, and Plankton are outside of SpongeBob's house:

In the tough storyboard, Mr. Krabs is smiling. In the general storyboard, he is not. Sandy begins repeating her plan in the broad shot within the ultimate storyboard, when she waits till the medium to take action within the tough storyboard. When the scene shows Plankton, he appears to be offended within the tough storyboard. In the overall storyboard, he's unconcerned. When the scene displays Squidward, he seems to be excited in the tough storyboard. In the general storyboard, he's unconcerned. Patrick grabs Squidward by way of his neck within the rough storyboard. In the final storyboard, he grabs Squidward through his nose. Patrick is protecting Plankton tighter within the tough storyboard than he's in the final storyboard. Because Patrick grabs Squidward by means of his neck in the tough storyboard, he choke-holds Squidward. In the final storyboard, because Patrick grabbed Squidward by means of the nose, Patrick pulls Squidward's nostril. When Mr. Krabs walks in front of the crowd, in the rough storyboard, Patrick angrily seems to be at Squidward. In the general version, Patrick just seems to be indignant and in front of himself. In the tough storyboard, when Mr. Krabs stops strolling. He is decided. In the overall storyboard, he's involved. Mr. Krabs' pep communicate is longer in the ultimate storyboard than it's within the rough storyboard. When Sandy presses the doorbell, in the tough storyboard, Sandy's finger bends. In the overall storyboard, it does now not.

59. When SpongeBob solutions his door inside the pineapple:

In the final storyboard, a window seems. In the tough storyboard, it does no longer. Sandy and Patrick seem in the doorway of SpongeBob in the tough storyboard. In the overall storyboard, handiest Patrick seems. In the general storyboard, when Sandy walks in, Squidward seems. In the rough storyboard, he does no longer until Sandy is absolutely inside of.

60. When Plankton enters SpongeBob's pineapple, within the final storyboard, the outside is shown. In the tough storyboard, it is not.

61. When SpongeBob accepts the problem of mimicking the five visitors, his mouth is in a different position within the different versions.

62. When SpongeBob is morphing to mimic the five guests, his transformation is rather different within the various variations.

63. When the reaction of the 5 guests to SpongeBob's mimicking of them is proven:

In the vast shot, within the rough storyboard, SpongeBob's version of Sandy's head does not have the flower, there's a image frame, and the door is closed. In the final storyboard, SpongeBob's version of Sandy's head does have the flower, there is not any image frame, but instead the window mentioned previous, and the door is open. When Patrick is shown, his reaction is more extreme in the ultimate storyboard than it is in the tough storyboard. Mr. Krabs additionally seems in the frame in the ultimate storyboard, but now not the tough storyboard.

64. After it displays Patrick, it pans over to Sandy.

Because Mr. Krabs does not seem in that shot in the tough storyboard, he does now not appear within the panning. He does seem in the final storyboard. Next to Sandy, there is the aforementioned image frame in the rough storyboard. In the overall storyboard, it is replaced via the window.

65. The same thing as the above point is true when SpongeBob and Sandy are shown in combination in the same scene. Additionally, within the tough storyboard, SpongeBob's sofa seems in the shot. In the general storyboard, it does not.

66. When Sandy is helping SpongeBob to go back into his commonplace self at SpongeBob's pineapple, within the tough storyboard, she is just scared. In the overall storyboard, she is helping.

67. When SpongeBob makes an attempt to go back to his standard self the second one time:

When he breathes in, within the rough storyboard, his mouth is closed. In the final storyboard, it's open. When SpongeBob struggles after he breathes in, within the rough storyboard, half of SpongeBob's model of Plankton's eye is opened and SpongeBob's model of Patrick's eyes are open. In the overall storyboard, SpongeBob's version of Plankton's eye and SpongeBob's model of Patrick's eyes are closed. When SpongeBob struggles after he breathes in, within the final storyboard, more of SpongeBob's version of Squidward's mouth is showing. The tried morphing is moderately different between the two versions.

68. When the response of the four tallest visitors is shown:

In the general storyboard, Patrick's teeth are appearing. In the tough storyboard, they aren't. In the tough storyboard, the group is in entrance of a blank house nook. In the final storyboard, the window door, and external are shown.

69. During SpongeBob's attempt to go back to standard, he first displays his model of Gary. In the tough storyboard, the order of the remainder is: Mr. Krabs, Squidward, Sandy, Patrick, and the generic grownup fish. In the final storyboard, the order is: Patrick, Mr. Krabs, Squidward, Sandy, Plankton, and Tom.

70. When SpongeBob is shown with the others, within the tough storyboard, he morphs into Plankton. It then cuts to Plankton, who yells at SpongeBob. It then cuts to SpongeBob operating out of the pineapple whilst he is nonetheless morphing. In the overall storyboard, SpongeBob morphs into a combo being and then into Plankton. The scene then proceeds the similar approach because the tough storyboard.

71. When SpongeBob leaves, in the shot of the interior of the pineapple:

The angle is diverse between the 2 versions of the storyboard. Plankton appears within the final storyboard. He does now not within the rough storyboard. More of the doorframe is proven within the tough storyboard than within the final storyboard. In the tough storyboard, Squidward is as regards to the door and Patrick is further away from the door. In the overall storyboard, it is the wrong way around.

72. When SpongeBob is shown leaving his pineapple, in the shot of the outside of the pineapple:

In the rough storyboard, SpongeBob seems to be back to the imitation of the five guests. In the general storyboard, he is simply a mix of portions. Before the gang chases after SpongeBob (they only do that in the final storyboard), within the tough storyboard, Sandy and Patrick are within the doorway. In the overall storyboard, it is Patrick and Mr. Krabs. In the rough storyboard, there's one window. In the overall storyboard, there are two. In the final storyboard, the plants next to the pineapple seem. This isn't the case for the tough storyboard. In the overall storyboard, the golf green (they are not inexperienced within the storyboard) round rocks are present. This isn't the case for the tough storyboard. The background is assorted between the 2 variations of the storyboard. In the overall storyboard, the guests chase after SpongeBob. They don't do that within the rough storyboard.

73. In the shot where SpongeBob runs down the road:

Because the visitors chased after SpongeBob in the final storyboard, they appear outside the pineapple. In the rough storyboard, as a result of they didn't, they are not outdoor the pineapple. In the tough storyboard, the walkways of SpongeBob and Squidward are more like Patrick's walkway. In the overall storyboard, they look more like they in most cases do. In the tough storyboard, there is a window to the appropriate of the door and one to the higher left of the door of the pineapple. In the overall storyboard, it is the reverse. There are more atmosphere components within the final storyboard than within the tough storyboard. SpongeBob is bigger in the tough storyboard than he's within the final storyboard.

74. When the shot returns to the exterior of the pineapple after SpongeBob runs away from his pineapple:

In the general storyboard, for the reason that team was already out of doors, they're shown watching SpongeBob. In the tough storyboard, since the crew was now not already outside, it cuts to having Patrick, Plankton, and Sandy outdoor and Squidward and Mr. Krabs within the doorway. In the overall storyboard, it's Patrick who talks. In the tough storyboard, it is Sandy who talks.

75. When the exterior of the cave is proven:

In the tough storyboard, it sounds as if to be a mountainous house. In the general storyboard, the mountains are changed via coral. In the tough storyboard, there are stars within the sky. In the general storyboard, they are replaced through flower clouds. In the tough storyboard, wind leads a pan to the outside of the cave after which the internal is proven. In the general storyboard, it simply cuts to the interior of the cave.

76. When SpongeBob appears as an owl:

His shoes are much less visible within the rough storyboard than they're within the final storyboard. In the tough storyboard, he spins his head around sooner than the spotlight is shined on him. In the final storyboard, he does it after the spotlight is shined on him. In the rough storyboard, in the opening shot of him being lit up and facing the camera, he simplest has a top beak, two holes are proven, and his blouse is bigger than it's within the ultimate storyboard. In the general storyboard, he has each a top and bottom beak, his freckles are proven, the holes don't appear, and his blouse is smaller than it's in the tough storyboard. He is more rounded in the ultimate storyboard than he is within the rough storyboard. In the final storyboard, there is a sweep of SpongeBob's head that does not appear in the tough storyboard ahead of he jumps.

77. When the query mark is shown on SpongeBob:

In the rough storyboard, it simply replaces his face. In the general storyboard, he is transformed into the question mark. In the tough storyboard, he has his palms down. In the general storyboard, he has them up.

78. When SpongeBob mimics his pineapple:

In the tough storyboard, the location of his eyes within the reflection is mistaken. They are in the similar position as they are as SpongeBob. In the final storyboard, this was once fixed. In the final storyboard, SpongeBob's mouth reaches his pants. In the tough storyboard, it does no longer.

79. When SpongeBob mimics Pearl:

In the final storyboard, SpongeBob's version of Pearl's mouth is proven greater than within the tough storyboard. In the rough storyboard, SpongeBob leans in after which starts to morph. In the general storyboard, he gets on his knees after which transforms.

80. When SpongeBob turns his head into a human head:

The two heads are varied in the two versions of the storyboard. Unlike the first time, it is the full head in both variations of the storyboard. In the tough storyboard, SpongeBob puts his proper arm on his head and closes his eyes as he leans again. In the general storyboard, he raises his proper hand and appears up.

81. When SpongeBob has the 5 heads of his visitors, in the tough storyboard, their mouths join his when he is making a song. In the final storyboard, they do not. Instead, when SpongeBob seems at the rock with the face the second one time, the five faces sing as a substitute of him.

82. When the rock with the face is proven, the face is diversified between the 2 versions of the storyboard.

83. When SpongeBob imitates a female fish, no longer the similar person who was from previous, the fish is various between the two versions of the storyboard.

84. When SpongeBob imitates a male fish, in the rough storyboard, this is a generic fish. In the final storyboard, the fish seems very similar to Fred.

85. When SpongeBob does the 2 variations of his head, in the ultimate storyboard, they're farther clear of each as opposed to in the tough storyboard.

86. When SpongeBob mimics the five visitors in the quintet outfit, in the final storyboard, SpongeBob's palms have the sleeves for the quintet. In the rough model, it is the sleeves of his commonplace blouse.

87. When SpongeBob marches in position:

Because SpongeBob's model of the five guests sing with him in the tough storyboard, they have a determined look on their faces. In the overall storyboard, because SpongeBob's model of the five guests don't sing with him in the final storyboard, they have got a more saddened face. In the rough storyboard, he isn't shown transforming into the fish's head, the face simply seems. In the final storyboard, he's proven transforming. The identical factor happens when SpongeBob transforms back into the 5 guests and when he transforms into Plankton. The two heads of the fish are diverse between the two variations of the storyboard. When SpongeBob has Plankton's head, in the tough storyboard, he continues the march typically. In the general storyboard, he seems to be up, closes his backside lid, and shakes his arm up in the air.

88. In the tremendous close-up of SpongeBob all over the song, within the final storyboard, it begins with SpongeBob's customary face, without his nostril, and eyes of his pals appear and then he mixes them around. In the rough storyboard, the eyes and noses of his pals seem on his face after which he mixes them round.

89. After SpongeBob's face rips off the screen, in the ultimate storyboard, SpongeBob's left arm is a bell. In the rough storyboard, it is commonplace after which turns right into a bell.

90. When every of the characters hits their head on the bell, in the rough storyboard, SpongeBob's model of Sandy is proven doing it too. In the general storyboard, this is minimize.

91. When SpongeBob transforms the bell right into a telephone, in the rough storyboard, he has a scared look on his face. In the final storyboard, he has a sad look on his face. This continues till SpongeBob looks up shortly after the phone phase.

92. When SpongeBob appears up after the telephone section, in the tough storyboard, his eyes are open. In the general storyboard, they're closed.

93. When the hole of the cave is shown, within the ultimate storyboard, there is a movement of tears. In the tough storyboard, there is not. This makes the part the place Mr. Krabs follows the stream look wrong as the scene is missing the circulate of tears.

94. When the five guests find SpongeBob, in rough storyboard, within the final shot before it cuts back to SpongeBob, the order (from right to left) is: Mr. Krabs, Plankton, Sandy, Patrick, and Squidward. In the overall storyboard, the order is: Mr. Krabs, Squidward, Plankton, Sandy, and Patrick.

95. In the cave, in the shot the place the visitors are around SpongeBob, within the ultimate storyboard, Plankton appears. In the tough storyboard, he does not.

96. When Sandy tries to check to see if SpongeBob can see how many fingers she is maintaining up, in the tough storyboard, SpongeBob is going through to the best of the display screen. In the general storyboard, he's going through to the left of the screen. This makes SpongeBob look up at Sandy, instead of to his right to see Sandy like within the rough storyboard. It additionally causes the "B" and the telephone heads of SpongeBob to be in a different course in the two versions of the storyboard.

97. In the overall storyboard, SpongeBob is shown transforming from the "B" head into the phone head. In the rough storyboard, he does not.

98. When Sandy tells the gang they've to imitate SpongeBob, all the way through the speech, SpongeBob is reworking from the phone head in the final storyboard. In the rough storyboard, he most effective has his standard head.

99. When Sandy gets the comb:

In the rough storyboard, she will get it from off body. In the general storyboard, she will get it from behind her. In the rough storyboard, the brush has dots that appear to be SpongeBob's holes on it. In the overall storyboard, the paint is just yellow.

100. When Sandy goes to brush Mr. Krabs, her tongue is out more in the final storyboard than it is within the tough storyboard.

101. When Sandy goes to sweep Squidward within the tough storyboard, he is apprehensive. In the final storyboard, he is nervous.

102. When Sandy hits Squidward with the brush, Squidward's mouth is more open within the final storyboard than in the rough storyboard.

103. When Sandy goes to sweep Patrick, within the final storyboard, his pants are appearing. In the rough storyboard, it is not.

104. When Sandy goes to comb herself, in the ultimate storyboard, her arm is above her. In the tough storyboard, it's closer to her body.

105. When Sandy goes to sweep Plankton:

In the general storyboard, he is terrified. In the tough storyboard, he is stunned. When Sandy selections Plankton up, within the ultimate storyboard, he flails his fingers. In the tough storyboard, he does no longer.

106. The paint bucket is more cylindrical in the rough storyboard than within the final storyboard.

107. In the tough storyboard, when Sandy takes Plankton out of the paint bucket, he appears disgusted. In the overall storyboard, he has paint in his mouth and has to spit it out.

108. When Sandy mimics SpongeBob, it's relatively varied in the two variations of the storyboard.

109. After Sandy mimics SpongeBob, in the tough storyboard, the following order is: Squidward, Mr. Krabs, and Plankton. In the overall storyboard, the order is: Patrick, Mr. Krabs, and Plankton.

110. In the overall storyboard, Patrick does a an identical routine to the person who Squidward does within the tough storyboard.

111. Mr. Krabs' routine is longer within the final storyboard than within the rough storyboard.

112. When the close-up Mr. Krabs is shown throughout his regimen, he's yellow in the ultimate storyboard. He is not colored within the tough storyboard.

113. When Plankton is squished by way of the bottle of the name of the game components, he is yellow within the tough storyboard. In the general storyboard, he isn't coloured.

114. When Sandy walks as much as SpongeBob whilst he is morphing back to his commonplace self, in the rough storyboard, she is yellow. In the overall storyboard, she isn't colored.

115. When Sandy turns to the crowd after she tests up on SpongeBob all over his ultimate transformation, within the tough storyboard, her fingers are bent. In the overall storyboard, they're straight.

116. When the gang is proven right through SpongeBob's ultimate transformation:

In the rough storyboard, Sandy's palms are in entrance of her. In the overall storyboard, they're next to her. In the tough storyboard, the group is yellow. In the general storyboard, they aren't coloured. In the rough storyboard, they are in a circle. In the overall storyboard, they're in a line. In the rough storyboard, Plankton is subsequent to Squidward and Mr. Krabs. In the general storyboard, Plankton is subsequent to SpongeBob and Mr. Krabs.

117. When the scene is a close-up of Sandy after she tells the gang that all of them need to mimic SpongeBob, the movement is assorted between the two versions.

118. When SpongeBob's version of Mr. Krabs' head spits out SpongeBob's model of Squidward's head, within the tough storyboard, it is accomplished to the front of SpongeBob. In the overall storyboard, it is finished upwards.

119. In the general storyboard, when SpongeBob will get his eyes back, within the close-up of SpongeBob's face, they've to come back together. In the tough storyboard, they got here together within the shot prior.

120. When SpongeBob gets his nostril, in the ultimate storyboard, his eyelashes come back shortly after. In the rough storyboard, SpongeBob's eyelids are half-closed, so they do not seem till he opens his eyes within the next shot.

121. When SpongeBob is completely back to customary, he jumps within the air and a sparkle appears round SpongeBob.

It is coloured in the ultimate storyboard. In the rough storyboard, it's not. In the general storyboard, it reasons the group to look away. In the tough storyboard, it does now not.

122. When SpongeBob gets out his spatula, in the rough storyboard, he held it in front of him and there's nothing on it. In the overall storyboard, he holds it above him and there's lard on his spatula.

123. When the group's heads turn into into SpongeBob heads, in the tough storyboard, Plankton is in front of Mr. Krabs. In the final storyboard, he is next to Mr. Krabs.

124. After the gang's heads grow to be into SpongeBob heads, within the rough storyboard, the scene presentations a close-up of Squidward's head, the place Squidward sheds a tear. It then cuts back to SpongeBob and crew, the place they begin guffawing in combination. It then cuts again to Squidward's head, the place, inside Squidward's eyes, Squidwards seem, banging at the eye, adore it is glass. In the general storyboard, these scenes are taken out and minimize out. Instead, it is only one long shot of SpongeBob becoming a member of the crowd giggling.

Differences between the final storyboard and the final episode

The main differences between those two versions is the fact that the overall episode (episode) is in colour and is absolutely animated, while the overall storyboard (storyboard) is black and white with a little red, yellow, orange, and blue and is made from still photographs. Additionally, the directional arrows within the storyboard aren't featured in the episode. The characters also look more complete within the episode than within the storyboard. The motion bubbles also are shown in the episode, which might be, for essentially the most section, not within the storyboard.

1. In the hole shot of the episode:

In the storyboard, there are five homes. In the episode, there are most effective two. In the storyboard, there the antenna on The Krusty Krab has four limbs. In the episode, it has five limbs. The coral and anemones within the foreground are drawn differently in the two versions. In the storyboard, there are 25 spots at the coral in the foreground. In the episode, it has 20. In the storyboard, there are 4 spots on each and every of the anemones in the foreground. In the episode, there are three, 4, and five spots, respectively. In the storyboard, the urchin closest to the Krusty Krab, has 4 visual spines. In the episode, it has six visual spines. The flags at the Krusty Krab are nearer to the doorways within the episode than in the storyboard. The boat at the right of the Krusty Krab is drawn differently in the two variations. The street seems to be more like a paved highway within the episode. In the storyboard, it appears extra like an unpaved highway. In the episode, there are coral rocks in the background. In the storyboard, they are not there. The inner of the Krusty Krab is shown in episode. It isn't in the storyboard.

2. In the hole shot of the inner of the Krusty Krab:

Mr. Krabs' hat has a celeb on it within the episode. This isn't featured in the storyboard. In the storyboard, there are six cans on the most sensible shelf. In the episode, there are ten cans. On the proper of the vent and the left of the cans, in the storyboard, there are three packing containers. In the episode, there are two. In the storyboard, the 2 luggage are on the aspects of the anchor. In the episode, the bag to the anchor's proper is on the anchor. The bag that used to be to the left of the anchor in the storyboard is laying in entrance of the anchor. The toilet and kitchen doorways are extra separated in the episode than they are within the storyboard. More of the table closest to the pole is shown within the storyboard than in the episode. The entirety of the table closest to Squidward is shown within the storyboard. In the episode, best a part of it's proven. Because of the last two points, the storyboard presentations six and 7 hand grips. In the episode, 4, 5, and 6 hand grips, respectively.

3. In the second shot of the interior of the Krusty Krab:

In the storyboard, the pan is dealing with the order window wall. In the episode, it is dealing with clear of that wall. In the episode, the buttons on the cash sign up are proven. In the storyboard, they aren't there. More of the top shelf is proven in the episode than in the storyboard. The netting on the wall is different in the two versions. In the storyboard, there's a bar that is going across the netted wall. In the episode, it isn't there. The exterior of the Krusty Krab is shown within the episode. It is not within the storyboard. More of the door to Mr. Krabs' administrative center is shown within the episode than within the storyboard. The flooring is tiled within the storyboard. It is the standard planks of wooden in the episode.

4. In the 3rd shot of the internal of the Krusty Krab:

In the episode, at the most sensible shelf, there is a field. In the storyboard, there may be not anything. The development on the back wall of the eating house is various between the 2 versions. The exterior of the Krusty Krab is proven within the episode. It is not within the storyboard.

5. In the fourth shot of the inner of the Krusty Krab:

The shot is wider in the episode. In the storyboard, the pan is facing the order window wall. In the episode, it's going through clear of that wall. When SpongeBob rips off his shirt, in the storyboard, there is a "K" on his chest. In the episode, there is not. In the storyboard, SpongeBob's face is completely purple. In the episode, it is most commonly purple. When SpongeBob says, "Yeah!", both the anchor on his hat and the "#1" on the #1 claw are gone within the storyboard. This isn't the case for the episode.

6. In the 5th shot of the inner of the Krusty Krab:

In the storyboard, the table seems without Mr. Krabs prior to he appears. In the episode, It starts with appearing Mr. Krabs. The contents of the top shelf, netting at the aspect wall, order window, steel pattern at the back wall, and circle at the backside of the table are proven within the episode. They are not in the storyboard. The bars are decrease at the poles in the episode than in the storyboard.

7. In the sixth shot of the inner of The Krusty Krab:

The kitchen is proven through the order window in the episode. It isn't proven within the storyboard. The development at the back wall of the dining area is various between the two variations.

8. In the seventh shot of the interior of The Krusty Krab:

The anchor on Mr. Krabs' administrative center door looks more love it will have to within the episode than it does within the storyboard. The space in the external of The Krusty Krab seems to be different within the two variations of the episode. Mr. Krabs' workplace door is open within the episode. In the storyboard, It is closed after which is opened. The interior of Mr. Krabs' place of business is diversified between the two variations.

9. In the eighth shot of the inner of The Krusty Krab:

The kitchen is shown throughout the order window in the episode. It is not proven in the storyboard. SpongeBob is nearer to the kitchen door. The buttons at the vertical a part of the money check in are shown within the episode. They are not proven within the storyboard.

10. In the 9th shot of the inner of The Krusty Krab, the order window is shown in the episode. It is not shown within the storyboard.

11. In the 10th shot of the interior of The Krusty Krab:

The buttons at the vertical section and the phase that shows how much money any individual owes on the cash check in are proven in the episode. They don't seem to be proven within the storyboard. The exterior of The Krusty Krab is proven in the episode. It is not within the storyboard. When Mr. Krabs pops out of the money check in, in the storyboard, there are 4 cash that pop out with him. In the episode, there are only 3.

12. In the 11th shot of the interior of The Krusty Krab, extra of the order window is shown in the episode than in the storyboard.

13. In the 12th and fifteenth pictures of the inner of The Krusty Krab:

More of the anchor on Squidward's hat is shown in the episode than it is within the storyboard. The bench in the boat seems within the episode. It does no longer appear in the storyboard. In the storyboard, the bolts on the wall are at the wall's left of the line. In the episode, they're on the partitions right of the wall.

14. In the storyboard, Mr. Krabs asks SpongeBob if it was a praise ahead of SpongeBob's eyes pop out of the hat. In the episode, it's after.

15. In the 13th/14th shot (the one with Mr. Krabs) of the internal of The Krusty Krab:

In the episode there is a bar on the most sensible of The Krusty Krab that does not appear in the storyboard. The pole in the episode is rounder than the only within the screenshot. There may be a steel section in the episode that isn't within the storyboard.

16. In the 13th/14th shot (the one with SpongeBob) of the interior of The Krusty Krab:

More of the cashier boat is shown within the episode than within the storyboard. The kitchen is shown through the order window within the episode. It isn't proven in the storyboard.

17. In the sixteenth shot of the interior of The Krusty Krab:

The external of The Krusty Krab is proven in the episode. It isn't in the storyboard. In the storyboard, the cash sign up is closer to the entrance of the boat than it's in the episode. The buttons on the vertical section and the part that displays what quantity of money somebody owes at the cash check in are proven in the episode. They aren't proven in the storyboard. When Mr. Krabs becomes friendly, within the storyboard, Squidward stops smiling. In the episode, he does not. When Mr. Krabs says, "Excellent observation, Mr. Squidward.", in the storyboard, he points his claw up all the time. In the episode, he points up for best part of the road after which issues in entrance of him.

18. In the 17th shot of the interior of The Krusty Krab, the wall trend and order window appear in the episode. They do not within the storyboard.

Music ( ‣ ) Associated manufacturing song( • ) Original music( ◦ ) SpongeBob tune

 • Marlin March - Sage Guyton, Jeremy Wakefield [Title card] ‣ Up She Rises - Sam Spence [Opening.] ‣ Fight for Ol'Schaefer U. - Will Schaefer ["Whoo! You tell 'em, Mr. Krabs!"] ‣ Hot Steel and Slide Licks - Jeremy Wakefield [Squidward is if truth be told snoozing.] ‣ Up She Rises - Sam Spence ["Open the doors and let the consuming commence!"] • Hot Steel and Slide Licks 28 - Jeremy Wakefield [Mr. Krabs is going to his office.] ‣ Creeping Up [#63] - Harry Bluestone, Emil Cadkin ["I heard that, Mr. Squidward!"] • Hot Steel and Slide Licks 20 - Jeremy Wakefield [Krabs dives into the money check in.] • Harps and Bells - Nicolas Carr ["Close and warm."] • Hot Steel and Slide Licks 13 - Jeremy Wakefield ["Imitation plus flattery equals happy people."] ‣ Unknown Track 38 - SpongeBob grins. • Jolly Little Roger - Michael Bolger, Nicolas Carr [SpongeBob imitates Tom.] ‣ ? [Rimshot.] • Jolly Little Roger - Michael Bolger, Nicolas Carr [Kids snicker.] ‣ Comic Drum Drops - Nicolas Carr [Rimshot.] ‣ Starlight Revue - Alan Braden ["Oh, swoon! That imitation stuff really works!"] ‣ Film Fanfare (a) - Dick Stephen Walter ["Look out, world, I'm gonna flatter your socks off!"] • Gator - Steve Belfer [SpongeBob imitates Patrick.] • Lap Steel - Nicolas Carr ["Wait, what?"] • The Donut Dilema (With Triangle) - Nicolas Carr [Sandy enjoying chess with Plankton.] • Skipping to School - Sage Guyton, Jeremy Wakefield [SpongeBob imitates Sandy and Plankton.] • Hot Steel and Slide Licks 13 - Jeremy Wakefield ["Oh, those impressions are making everyone so happy!"] • Jolly Little Roger - Michael Bolger, Nicolas Carr [SpongeBob imitates Nathiel Waters and Squidward.] • A Simple Conversation 1 - Nicolas Carr, Barry Anthony [Squidward quits operating at the Krusty Krab.] ‣ Voodoo Victim - Gilbert Vinter ["SpongeBob has lost touch with reality."] ‣ Tales from the Swamp (a) - Ron Goodwin [Krabs screams after SpongeBob imitates him.] • Lap Steel - Nicolas Carr [Transition to next scene.] • Silly Bob Conversation 2 - Nicolas Carr, Barry Anthony ["This is an intervention, so we need to make sure that above all, SpongeBob knows how much we all care about him."] ‣ Wargames Linking Section (f) - Keith Mansfield ["Spread out!"] • Hot Steel and Slide Licks 28 - Jeremy Wakefield ["Right, guys, that's... almost the spirit."] ‣ The Annoying Salesman - Nicolas Carr [SpongeBob solutions the door.] • Vibe Q Sting - Nicolas Carr ["Five at once, huh?"] ‣ Drama Link (d) - Hubert Clifford [SpongeBob imitates Patrick, Sandy, Squidward, Mr. Krabs and Plankton without delay.] ‣ Space Horizons - Wolf Helling ["Aye! Love to! About what? Who cares?"] ‣ Mutations (d) - Trevor Duncan [SpongeBob morphing between imitations.] ‣ Tragic Bridge 3 - Phil Green ["I can't do it! I'm a freak! A freak!"] • Hot Steel and Slide Licks 8 - Jeremy Wakefield [SpongeBob runs away crying.] • Who Am I? - Eban Schletter, Doug Lawrence [SpongeBob sings this.] ‣ Where Am I? - Gregor F. Narholz [Patrick, Squidward, Sandy, Mr. Krabs and Plankton to find SpongeBob.] • Marlin March - Sage Guyton, Jeremy Wakefield [Patrick, Sandy, Mr. Krabs and Plankton imitate SpongeBob.] • Nude Sting - Nicolas Carr [Krabs squishes Plankton.] ‣ Where Am I? - Gregor F. Narholz ["It's not working, fellers!"] • Tension Bits - Nicolas Carr, Sage Guyton, Jeremy Wakefield [Patrick, Squidward, Sandy, Mr. Krabs, and Plankton imitate SpongeBob immediately.] ‣ Honolulu March - Hans Haider [SpongeBob is again to normal.] • Clownfish Capers - Sage Guyton, Jeremy Wakefield [The ending]

Release

Trivia

General This episode's name card is similar to that of "Culture Shock," simplest this one is in widescreen. In the primary shot of the interior of the Krusty Krab, the roof above the kitchen/place of business is product of metal. However, in "Squidtastic Voyage," the roof of the kitchen/administrative center is manufactured from the picket from the ground of the Krusty Krab. When SpongeBob tells Mr. Krabs to "bring it around town," this can be a reference to the bubble-blowing method in "Bubblestand." The closing time SpongeBob may just make different-shaped faces used to be in "Face Freeze!" This episode displays that Tom Kenny is extremely proficient in doing the entire impressions of the characters very similar to how Mel Blanc did the impressions of the Looney Tunes characters. In this episode, Patrick eats food from the rubbish in front of the Krusty Krab. Usually, he does so in the dumpster behind the restaurant. In the original storyboard, when Sandy and Plankton are taking part in chess and SpongeBob mimics them, Karen comes out of the Chum Bucket and laughs at SpongeBob's influence of Plankton. She does now not appear within the final minimize. This episode marks the one instance so far the place the French Narrator without delay talks to SpongeBob. The fourth wall is broken right here. Ironically, SpongeBob and the French Narrator are both voiced through Tom Kenny. When SpongeBob uncontrollably imitates his pals at his house, when he imitates Plankton, he says, "I went to college!" This is a connection with a quote from the episode "Plankton!," the place Plankton makes his debut. The episode "Friend or Foe" is referenced in the music "Who Am I?" when SpongeBob sings "Am I friend... Or foe?" This and "House Worming" were the primary season 10 episodes to premiere in 2017, as part of the Saturday Morning Hang Zone with Lincoln Loud match. This is the second episode where Mr. Krabs gets painted with gold. The first is "The Masterpiece." To date, that is the ultimate episode to use the track "Marlin March."Cultural references When imitating the French Narrator, SpongeBob wears a pink beanie and has gray hair on his head, similar to the French filmmaker Jacques Cousteau.Errors As Mr. Krabs is talking with SpongeBob and Squidward, Squidward is wakeful, frowning (like usual), but if he goes to slap SpongeBob and Squidward, Squidward is asleep with a mask of him smiling. Also, when Mr. Krabs takes to the air Squidward's mask, the latter still seems smiling for a couple of frames. When Mr. Krabs walks into his administrative center, he walks in just like the door is closed and he is opening it. Plankton's king isn't there. In chess, the only approach to win is to checkmate the king, not seize, and Plankton's king used to be also lacking, so he must have misplaced. The wrinkles on Squidward's forehead are missing. When Mr. Krabs says, "All right, you scurvy dogs, SpongeBob needs us, and more importantly, I need him... to stop imitating me customers!," Squidward is proven and not using a brow wrinkles. The scene before he says this, Plankton is nowhere to be observed prior to the scene starts (the image on the right, beneath the Squidward's wrinkles error picture). SpongeBob's home is lacking one of the vital windows and then it reappears. During the intervention, the bottom proper window on SpongeBob's house is missing, after which it reappears. In the similar scene, Plankton is nowhere to be seen, however then he all at once seems within the subsequent shot. In the French dub, there's no supervising manufacturer credit. This was once in all probability a mistake from the editor.[3] SpongeBob's mirrored image mouth is open, however the true SpongeBob's mouth is closed. In the song "Who Am I?," when is SpongeBob is a pineapple, for a break up second within the reflection SpongeBob's mouth is open, however the real SpongeBob's mouth is closed. During the track "Who Am I?," SpongeBob's impressions hit their heads on his bell hand, however as they ring it, SpongeBob's Sandy does not ring it nor seem. When SpongeBob says, "I don't know!" while the digital camera zooms out, his legs are somewhat too thick. Also, he is back to his commonplace self.

Videos

"Mimic Madness" Official Promo SpongeBob SquarePants Promo SpongeBob SquarePants - Who Am I Song Nickelodeon Clip

References

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